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Good Morning, America (Volume I) - Special Edition

Good Morning, America (Volume I) - Special Edition

by Mark Power

£300.00
£300.00
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Over the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume I), represents a personal and timely exploration of both the American cultural and physical landscape, and the divergence of reality and myth.

More about this book

As an exclusive offer for those who buy the Special Edition of all five volumes as they are released, we will send you a beautiful complimentary portfolio box along with Volume V.

At the end of the series, 50 portfolio boxes containing the complete collection - the five books along with the Special Edition print from each - will be available to purchase for £1,000, with the price rising as the edition sells. Therefore the total number available of each print will be a strict edition of 100.

The Special Edition is available exclusively from the GOST website.
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Good Morning, America (Volume I) is the first in a series of five books by Power, created as the result of this ongoing 10-year project, as he meanders back and forth across the vast country, taking long walks through towns and cities along the way.

Most lengthy photographic surveys of the States, with Robert Frank being the most notable exception, have been made by Americans: Walker Evans, Stephen Shore, Joel Sternfeld. Power’s perspective, on the other hand, is as a foreigner, traveling to and from America on multiple occasions, thus allowing a mental and physical distance.

The seeds of Power’s ambitious project began in 2012 when he became involved in ‘Postcards from America’ – an initiative by a group of photographers and friends who wanted to make an immediate response to what was happening in the US. They worked and traveled together, mounting pop-up exhibitions to interact with local audiences and sharing the work through publishing. He went on to join two further Postcards projects but had larger aspirations for the scope and longevity of his work in the US. Power’s five-year project in Poland, The Sound of Two Songs (2004-2009), was a precedent to Good Morning, America, which is by far the most ambitious the photographer has made to date.

As if in tribute to America’s vastness and culture, the resulting photographs are cinematic and epic in format. Power aims to finish the project in 2022, covering the whole of Obama’s second term, Trump’s first, and the start of whoever comes next.

About special editions

Please note, Special Editions are not processed through our warehouse but individually condition checked and packaged by hand to avoid any damage. As a result, please allow extra time for your Special Edition to arrive. We will keep you updated on the progress of your order and we can be contacted on orders@gostbooks.com with any queries.

Published February 2019
317 x 245 mm, 136 pp
12 foldout pages, 57 full colour images
Hardback, clothbound
ISBN 978-1-910401-20-0

Edition of 100 copies (50 only available as an individual special edition)
Signed book with a 12 x 9 inch gloss c-type print which is signed and numbered.

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In the press

From the author

  • Born in Harpenden, UK, in 1959, Power began his career in 1983 working as a photographer for editorial and charity projects before he began to teach in 1992. He has published five previous monographs: The Shipping Forecast (1996), Superstructure (2000),The Treasury Project (2002), 26 Different Endings (2007), and most recently The Sound of Two Songs (2010). Power joined Magnum Photos as a Nominee in 2002, became an Associate in 2005, and a full Member in 2007, the same year in which he curated Theatres of War at the Oskar Schindler factory in Krakow, Poland. There have been over 50 solo exhibitions of his work, and he is currently Professor of photography at the University of Brighton.

  • ‘For as long as I can remember I’ve wanted to explore America, an ambition fueled by the legion of TV shows that crossed the Atlantic in the 1960s. As a young and impressionable child, I devoured "The Man from Uncle" and "The Fugitive," but it was the westerns, evoking a landscape utterly removed from the congested English suburbs surrounding me, that I loved most... I began - although I may not have realized it at the time - to subconsciously search for the America which lived in my imagination, the one generated during childhood, the one that had probably never existed at all.’

    - Mark Power