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by Yelena Yemchuk

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As a child growing up in Kyiv, Yelena Yemchuk was fascinated by the reputation of Odesa as a free place during Soviet times. The city seemed full of contradictions — 'acceptance but also danger. A place of jokes and characters, populated by outlaws and intellectuals.' She first visited Odesa in 2003 and returned in 2015 to begin to photograph the city and its inhabitants over a period of four years. This book is Yemchuk’s visual ode to the city.

A donation of 20% of proceeds from sales or pre-orders of the book purchased directly from will be donated to the charity Voices supporting children impacted by the war in Ukraine.

More about this book

In 1981, when Yemchuk was eleven years old, her family immigrated to the United States from their home in Kyiv, Ukraine. They could tell no-one out of their family of their plans to leave and going beyond the ‘Iron Curtain’ at the time meant they could never return to their home country. Ten years later, when Ukraine announced its independence, the artist was able to return to her home country to visit.

By 1996, Yemchuk was making regular trips to Kyiv, spending her days taking pictures and her evenings with her grandmother. At the time, the country was in the throes of a period of change and redefining its identity, and simultaneously Yemchuk was developing her own visual language and ideas.

Yemchuk began photographing Odesa in 2015, taking pictures of the sixteen and seventeen-year-old boys and girls at the Odesa Military Academy. The year before, Russia had invaded and subsequently annexed Crimea, and there was fighting on the Eastern border of Ukraine. Originally intending to document the faces of the children going off to fight, Yemchuk became aware of the importance of giving their lives more context. As a result, she began to photograph Odesa and continued making work there until 2019.

Published Autumn 2022
(Second printing)
Poems by Ilya Kaminsky
215 x 285 mm, 176 pages
111 full colour images
ISBN 978-1-910401-71-2

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  • Born in Kyiv, Ukraine, Yelena Yemchuk immigrated to the United States with her parents when she was eleven. She became interested in photography when her father gave her a 35 mm Minolta camera for her fourteenth birthday, and she went on to study at both Parsons, New York, and ArtCenter, Pasadena. Recognized for her surrealistic whimsy and dark romanticism, Yemchuk has exhibited both paintings and photographs in museums and galleries worldwide. Her work has been published in The New Yorker, Another Magazine, ID, Dazed & Confused, and Italian, British, and Japanese Vogue, among others. In 2019, Yemchuk had her first museum exhibition with her project Mabel, Betty, & Bette at the Dallas Contemporary Museum. A monograph of the same title was released in February 2021. Odesa is Yemchuk's fourth book, following her other titles including Gidropark (2011), Anna (2017).

  • 'Time is different in Odesa. It's a city outside of time.'

    '...there was a wildness about Odesa. But also a 'forgottenness,' like it had rolled off the back of the cart of modernity. I felt like I had been shown a secret place. Like someone took me around a corner, pulled back a curtain and said, 'Here look, look at this enchanted city. Believe in it, it's real. You can be in it. Try to capture its magic. If you keep your eyes and your heart open, you just might be allowed to see.'

    - Yelena Yemchuk