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Good Sick - Signed

Good Sick - Signed

by Jordan Baumgarten

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Good Sick by Jordan Baumgarten is a photographic portrait of the US opioid crisis, shown through its effects on one neighbourhood in Philadelphia. The neighbourhood of Kensington is a nexus for those in and around the city seeking heroin and all that it entails. The supporting addiction-based economy co-exists alongside everyday life in the neighbourhood, and in its surrounding landscape, there are signs and premonitions of disorder and confusion. 

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The photographs in this book depict chaos; nature encroaching on urban decay; an ambiguity between magic and darkness; private moments which are public; animals and humans roam free - fueled by id, and always, somewhere, there is a fire burning. The images in Good Sick are a small proportion of those taken by Baumgarten, a native of the city, between the winter of 2012 and the spring of 2017.

Published April 2018
Limited to 650 copies (signed)
220 x 288 mm portrait format
96 pp / 44 colour illustrations
Hardback clothbound
ISBN 978-1-910401-19-4

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  • Jordan Baumgarten (born Philadelphia 1983) graduated with a BFA in photography from The University of the Arts, Philadelphia and an MFA in Photography from the Rhode Island School of Design. The recipient of numerous grants and awards, Baumgarten’s work has been exhibited nationally and internationally in two-person and juried group exhibitions. His work has been included in publications such as the British Journal of Photography, Vice, Dazed, Pop-Up Magazine and The New York Times amongst others. His monographs include Briar Patch (Parts and Labor 2013), Good Sick (GOST 2018) and Family Tree Removal (Smog Press 2023). In 2021, after a decade in academia, Baumgarten left teaching to become a pizza maker.

  • 'While all the photographs were made in Philadelphia, the project is not about that specific place. The city serves as a microcosm to discuss issues tearing apart the fabric of our social landscape. The title is slang for the nausea that comes after injecting heroin and it also serves as a tool to communicate the duality of terror and beauty that is represented throughout the book. My relationship to Philadelphia is deep, and polarizing; I was born here, I went to college here, I met and married my wife here, I have also nearly been killed and witnessed some of the worst tragedies imaginable. Experience, and this complicated relationship to place, is the cornerstone of my work and the driving force in my life.'

    - Jordan Baumgarten