Found, Not Lost

Now in his 90s, Erwitt began the process of revisiting his archives in 2018 after his first retrospective, Home Around The World, when faced with the burden and responsibility of being custodian of his own archives and all they contain. Here began the exhaustive process of reviewing every photograph in his studio. Over the course of nearly two years, with the help of editor Stuart Smith and long-time studio manager Mio Nakamura, he viewed around 600,000 images — contact sheets and negatives — from those developed in his bathroom sink at home at the age of seventeen to those from recent assignments in Scotland and Cuba. The sea of imagery dominated every flat surface for months.

This book has been an opportunity for Erwitt to revisit the photographs he made in his early career and to uncover meaning upon second glance which was not apparent when the image was originally taken. The master of visual one-liners—bold statement images replete with humour, irony and acknowledged absurdity— the photographs selected for this book are quieter, more subtle and suggest Erwitt’s increasing confidence in his own eye. By selecting these photographs he has begun to both examine and challenge how his younger self saw the world.

'Here, in this book, are pictures that Elliott wants us to see. They’ve been in the dark, undisturbed, unremarked, for decades. Now he’s brought them into the light. If they were ever useless, or not'.

- Vaughn Wallace, from his foreword to Found, Not Lost

The earliest image in the book was taken in 1947 and the most recent in 2010. From post-war Europe to the former USSR, from the West Coast to the East Coast of the US to Japan, Brazil and Birmingham—the images contain some familiar themes of dogs, children and delight. However, many are more photojournalistic showing historic moments, and others intensely personal such as photographs of his first wife and his first-born daughter.